Showing posts with label Hand'Solo Records. Show all posts
Showing posts with label Hand'Solo Records. Show all posts

3 Things That Music Does + More or Les/Fresh Kils Video!

Sounds come out of speakers or headphones and do several things:
1) They entertain.
2) They influence mood.
3) They inspire.

At least, these things happen for me. When I'm drawing I like to listen to Spiral Like the 9 by Livestock and let the raw production and soothing, big bear vocal styles guide my Ticonderoga 2HB Soft across the page. It inspires me, helping me fall into a sort of trance and really get into the piece I'm working on.

When I'm out running around town I like to listen to Baracuda's Do Tell Mixtape because the pumping, rough-housing flow of the entire album really pushes my limits, boosting my body to a new level of physical ability.

And when I can't find a copy of The Phantom Tollbooth, I put on Burglaritis by Wordburglar, because that's the only album that can entertain my need for excessive wordplay and puns.
All this is important to me, and I need to be in different situations to reach the peak of enjoyment for each album that I have. Generally, one of these three things happens (and occasionaly, 4. They Disappoint) when I listen to music. This is why I have an endless search going for new music, I'm constantly trying to find something new to hear as I embark on my next journey.

So... enough said, let's listen to something!

This is recently out!
From Hand'Solo Records description:

More Or Les and Fresh Kils recently released their collaboration EP that is appropriately titled The Les-Kils EP. They’ve just released the video for first single, “Pop N’ Chips”, a party-having posse cut that also features Timbuktu and Ghettosocks. The song is produced by Fresh Kils. The video is directed by Darrell Faria, produced by Mike MacMmillan and edited by Jonathan Eagan.





Seriously, this is fresh, and the video is hilarious!
If you don't like this, you're a darn fool.
Enjoy!

Track of the week -- Groundhog Emcees

A track of the week that has no direct download? I apologize, but I don't have proper hosting and so I'm bringing you to the album itself, but it's worth downloading the entire album because it is fantastic. It's free, too, so don't get in a hissy fit because you have to lose a little bit of space on your computer. This album is epic, as is the track.

One of the best ways to hear new artists is, as I have mentioned previously, to catch them on a track with another artist you already listen to. As I have been expanding my horizons as much as I can recently I have found collaborations to be the best creations in the world.

A track that consistently blows me away right now, with artists I had not heard before:

Groundhog Emcees off of Touch's album Dead Words, available FOR FREE on Hand'Solo Records.

Groundhog Emcees features Touch, AC the Ace, Max Prime, Advice, Epic, Planit, Whatevski, and Lexington.

Artists from all across the board are here, bringing forth their rhyme stylings and different flows to create an epic closing track to one of my favorite Canadian hip hop albums. You can catch this track for free, so don't miss it. I can't express how important collaboration tracks are for networking and finding new listeners.

DOWNLOAD THE ALBUM
HAND'SOLO RECORDS OFFICIAL PAGE

Lyric of the Week

"I've never met Pip Skid but I've seen the effects on everyone who did."
-- Bleubird (from Music Appreciation II by Epic, from the album Aging is What Friends do Together on Hand'Solo Records).

Why this lyric? I don't even listen to Pip Skid, mainly because I accidentally deleted his album from my hard drive (and I should download it again), but I listen to Epic daily, because he's one of my favorite emcees right now. This track is off of Epic's latest album, which everybody should listen to, but this lyric has been really blown me.

I think what it is about this line is that it is so simple but it has such emotion behind it. It is powerful. Plain as day.

But why is it so powerful? I would have to say the delivery of it has a lot to do with it but it's really important to note what it infers; meeting Pip Skid will change your life. And I don't mean to say it in a pretentious way, but I can see that. I've met people and heard music that really changed the way I thought/think about music and life, and everything inbetween.

In all, incredible.

Review: Lexington and Whatevski -- Customer Appreciation Day

Lexington and Whatevksi's Customer Appreciation Day is one of the best albums I picked up in 2008, and because it was a free album, well... that only made it better. In fact, this is such a solid piece of work I find it almost unfair that I didn't pay for it. Released on Hand'Solo Records, the album first caught my eye because of the provocative cover, which displays the title of the album sharpied onto a woman's bare chest. I figured, Canadian Hip Hop has been treating me well, why not give it a try. I like what Hand'Solo's been putting out and I was desperate for some new music on my Zune so I downloaded it.
Little did I know this album would change my perception of hip hop. Honestly, I haven't heard anything like this before and it really blew me away. From the opening track's intro with a man crying out for "spange" for a Lexington + Whatevski show to the closing ad for their full-length album Preggers Can't Be Choosers, it was perfect. These guys do to hip hop what Bird did to basketball... they took something that everybody can take a shot at and kinged their pawns. That is to say, they not only did something different, but they raised the bar doing it.

The album progresses with some of the best beats I've ever heard, dirty and dark, a stinky carnival full of drunks kind of sound, mixed with some hard-hitting drums. I'm dying to hear an instrumental version of this album if they ever release that, actually. The production is some of my favorite I've ever heard and I can only describe it as a magical experience. Wherever they're digging up samples from... well, I wish I had access to what they're listening to and the skill to arrange in such a way. Every chorus is catchy, and the layering of sounds is almost too intense, though never overwhelming... if that makes sense.

Lyrically, Lex and Evski kill it. From serious tracks like Back When to hilarious tracks like Dick in Ya Drink, it's all over the place. Vulgarity aside, the lyrics are fantastic. It's a great balance between philosophical and comical, and all the flow is solid throughout.

Speaking of the flow, the album is littered with guest rappers who absolutely rip it up. Planit, Touch, Hollohan aka G.O.D., B-Money, Ryan Crack the Dirt Dogg, and Mr. Grim make appearances, and all of them do justice. Aside from the extreme weirdness of the first half of Planit's verse on Dead and Famous. It's all solid, though, and Planit's verse has grown on me. I guess I was just weirded out about that kind of flow when I first heard it.

All in all, I give this album a 10 out of 10 because since I've downloaded it, I've listened to it all the way through at least once a week and still it surprises me. Most of the tracks have made it onto my bicycling/traveling playlist, almost every track is fantastic, and I am left in awe at how well-done this all is, especially for a free release.

Lexington and Whatevski are without a doubt in my top 10 favorite hip hop artists/groups, and solely because this album is so perfect. If you don't download it, you're a damned fool, it's a fantastic album all the way through and goddammit, it's free!

Best track? I can't even name one. Good People and Back When are probably my favorites. Don't forget to check back for the release of Preggers Can't Be Choosers, their new album. You can find more information at the following locations.

Hand'Solo Records Page
Lexington and Whatevski Official Website
 

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